The Architecture of Silence by Stephan Schnedler

The Architecture of Silence

November – December, 2025 – Copenhagen

At the heart of Stephan Schnedler’s exhibition “The Architecture of Silence” from his series “Unreal Reality” lies a quiet tension: the feeling of being between worlds. Each work captures that moment when reality feels both solid and uncertain, the same sensation we often experience in our own lives.

The architectural forms: corridors, staircases and open windows become metaphors for the psychological spaces we inhabit: transitions, expectations, possibilities, and absences. Schnedler’s spaces look tangible, yet they are built from fragile materials. This duality reflects the collector’s own sense of navigating between stability and change, the seen and the imagined.

Each image can be read as a personal landscape of introspection.

• The empty hallway becomes a metaphor for memory, a path between what once was and what is yet to come.

• The open window speaks of longing, curiosity, or escape.

• The play of shadow and light mirrors how we move between clarity and uncertainty in our own stories.

In this sense, Unreal Reality is not just about architecture, it’s about the architecture of emotion. Schnedler’s photographs invite us to project our own inner worlds onto these silent spaces. Every collector finds a different story within them: for one, a sense of peace and order; for another, solitude or anticipation.

What makes these works compelling for collectors is that they don’t tell you what to feel they give you space to feel yourself within them. They become meditative mirrors, reminding us that reality is often shaped more by perception and imagination than by the materials that construct it.

Owning a work from Unreal Reality is like owning a fragment of that delicate balance between illusion and truth, a still moment where imagination quietly reveals something deeply real.

For inquiries and additional details, please contact ar*@**********ry.com.

 

 

 

ENTER ART FAIR 2025

ENTER ART FAIR 2025 - BOOTH #3

From August 28–31, 2025, we are delighted to participate in Enter Art Fair, Scandinavia’s leading international art fair in Copenhagen. The fair brings together the global art community, welcoming more than 20,000 visitors and showcasing works from world-renowned galleries and artists.

At our booth, we will present a curated selection of works by acclaimed Danish photographers Jacob Gils, Stephan Schnedler, Lise Johansson, and Carsten Ingemann. Their practices span poetic landscape photography, conceptual portraiture, and explorations of movement and light—reflecting the strength and diversity of contemporary Danish photography.

We look forward to welcoming visitors at Lokomotivværkstedet and sharing this unique presentation of Danish art within the vibrant international context of Enter Art Fair.

VIP Preview:
Thursday, 28. August: 15 – 20

Fair:
Friday, 29. August: 11 – 20
Saturday, 30. August: 11 – 19
Sunday, 31. August: 11 – 18

Venue:
Lokomotivværkstedet
Otto Busses Vej 5A
2450 Copenhagen SV
Denmark

Transfers of Memories – Group Show

Transfers of Memories

January – March,  2025 –  Copenhagen

 

“Transfers of Memory” is a compelling contemporary art exhibition curated by INTHEGALLERY, featuring works by prominent artists Jacob Gils, Lise Johansson, Sif Meincke, and Dan Laustsen. The show explores themes of memory, identity, and the ephemeral nature of existence through photography and camera-based art.

  • Jacob Gils: Known for his innovative use of photographic transfers, Gils works challenge the perception of landscapes and cities, blending realism with abstraction.
  • Lise Johansson: Her Absence series (2019–2023) and I’m not here #1 (2021) delve into introspection and the subtle, often unnoticed, spaces of life.
  • Sif Meincke: With works like You Can Sail Without Wind #8 and #10, Meincke captures poetic moments of stillness and transformation.
  • Dan Laustsen: Laustsen contributes with Memories #1 (2018), a striking large-format archival print, embodying the essence of cinematic storytelling and the emotional resonance of visual memory.

The exhibition runs from January to March 2025 and invites viewers to immerse themselves in an intimate exploration of memory’s role in shaping our perception of the world. With a mix of traditional and experimental approaches, “Transfers of Memory” celebrates the versatility of photography and its dialogue with other artistic mediums.

For inquiries and additional details, please contact art@inthegallery.com.

“you can sail without wind” by SIF MEINCKE

you can sail without wind…  by Sif MEINCKE

November 1st – January 1st, 2025

For the first time, In The Gallery presents an exhibition featuring the work of art photographer Sif Meincke. The exhibition, you can sail without wind, offers an unexpected perspective on urban life, using the harbour as a setting for calm, reflection, and immersion. Unlike the usual lively and bustling images associated with city harbours, this collection centers on the harbour as a peaceful space, a place where moments of silence and presence can emerge.

Sif Meincke’s  you can sail without wind focuses on this contrast, showing the urban landscape not through the lens of chaos or dynamism, but as an environment that fosters personal pause and reflection. With her careful composition, Meincke reveals how even the busiest parts of the city offer hidden moments of calm, where one can pause, breathe, and reflect on the movements of life. The exhibition highlights a much-needed breathing space in a world driven by progress and efficiency. It reminds us of the harbour’s timeless presence in the cityscape—a bridge between human activity and the natural rhythms of the water.

Opening Reception: November 1, 2024, 4 pm – 9 pm
Exhibition Period: November 1, 2024 – January 1, 2025

New Works by Merete Hansen

New Works by Merete Hansen

September 5t- October 25th, 2024

VERNISSAGE : September 5th from 16h to 19h.

It is the painterly qualities that are at the fore when Merete Hansen composes her powerful, colorful pictures. With her commitment to the painting’s ability to communicate on its own terms, she works with subjects where the narrative is toned down to make room for the formal expressions that never completely let go of their anchoring in the figuration.

Since the beginning of Merete Hansen’s artistic work, the portrait, the model study and the set-up have been the central focal points and have over time been supplemented with cow skulls, ship and harbor motifs. Inspired by cubism’s ideas about image construction, she uses the recognizable motifs as building blocks, which are taken apart, broken down and built up again in elaborate color plans and shapes.

 It is especially the color experience that is the actual content of the image. Merete Hansen creates both space and sound out of shades of gray and the colors of the rainbow scale, and despite a penchant for the darker shades of the palette, the images are far from gloomy.

 

UNFILTERED by Camila Fenster

UNFILTERED - A solo exhibition by Camila Fenster

April 19th – May 25th, 2024

OPENING : FRIDAY APRIL 19th – FROM 5PM TO 8PM 

“Unfiltered” marks Camila Fenster’s first solo exhibition at In The Gallery and seeks to challenge the visual allure of curated emotions on social media. With the title “Unfiltered” this collection of photographs playfully confronts the fascination, the almost obsessive act of, portraying happiness and the seemingly perfect life.

In her works, you will see young girls portrayed in various mystical worlds full of tales about desires, power, and identity and bears wearing boxing gloves, symbolizing their role as protectors of emotions. In the realm of digital media, emotions become actors on stage, hiding behind the performative nature of social media.

Her evocative photographs, which draw upon various surrealist references, present a powerful narrative about life – both online and offline – and examine how the digital landscape has altered human experiences and emotional connection. Through the use of visual allure as a gateway, the pieces stimulate a critical dialogue about the digital facade and make us reflect upon the blurred lines between digital illusion and real-life authenticity.

 

 

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Camila Fenster(b. 1970) lives and works in Portugal. She has a background in the advertising industry and holds a degree in Photography from the renowned school Ar.co in Lisbon. In her artistic practice, she photographs details of buildings, patterns, textures, and the human form, and combines them into new visual narratives. Her work is an exploration of the subconscious and draws inspiration from surrealism and the dreamlike imagery of René Magritte. Fenster has traveled the world extensively and her work has been exhibited in i.a. Norway, Switzerland, the United Kingdom, Brazil, and Denmark as well as presented in magazines in both Portugal and Denmark.