SUMMER LIGHT 2021

SUMMER LIGHT

July 29 – September 10, 2021

With the desired return of bright summer light and its ability to energize, reveal details and impact our perception of space, In The Gallery is bringing together three young artists, whom in each their own refined way presents work with a particular and unique understanding of light and space.

Rikke Flensberg works with images of the transcendence between reality and the human being and our perception of body, borders and human perception in her poetic and visually strong imagery and pale landscapes. Fragments of body turn into tectonic surfaces, erupting and shifting. Elements from nature are pushed into new forms, through which our bodily self can physically relate, and we are reminded of the inherent relationship held between the human body and the world which surrounds it.

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Lea Jessen’s ability to present colorful and vibrant observations of space and surface and her attention to small, yet remarkable details is fully present in her work. With their focus on clean lines and abstract color planes, these anonymous architectural fragments take on a minimalist aesthetic, making them reminiscent of the concrete art of the 1940’s and 50’s. In The Gallery is presenting both Lea’s architectural spaces and her work of dreamlike holiday settings with their magical light, spaces and surfaces.

Lise Johansson won Photographer of the Year in the International Color Award last year, and the achievement is well constituted in her work with its subtle tones and refined use of color and light. Lise is presenting the work Absence, originally made for an exhibition at Hofteatret, as a self-staged portrait. Most recently Lise has developed a new series under the title Resort which explores leisure spaces and how the boundaries between public and the private spaces are interwoven.

MERETE HANSEN

MERETE HANSEN

It is the painterly qualities that are at the fore when Merete Hansen composes her powerful, colorful pictures. With her commitment to the painting’s ability to communicate on its own terms, she works with subjects where the narrative is toned down to make room for the formal expressions that never completely let go of their anchoring in the figuration.

Since the beginning of Merete Hansen’s artistic work, the portrait, the model study and the set-up have been the central focal points and have over time been supplemented with cow skulls, ship and harbor motifs. Inspired by cubism’s ideas about image construction, she uses the recognizable motifs as building blocks, which are taken apart, broken down and built up again in elaborate color plans and shapes.

 It is especially the color experience that is the actual content of the image. Merete Hansen creates both space and sound out of shades of gray and the colors of the rainbow scale, and despite a penchant for the darker shades of the palette, the images are far from gloomy.

 

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About the artist

Merete Hansen was born in 1940 and educated at Det Kgl. Danish Academy of Arts (1958-63). She made her debut at Kunstnernes Efterårsutstilling in 1958 and has exhibited at e.g. The free exhibition building, Gl. Strand, Kunsthallen Nikolaj, Kastrupgårdsamlingen, Skive Art Museum, Art Museum Brundlund Castle and at several Danish galleries.

Merete Hansen has received Georg Jensen’s Sølvsmedies Artist Prize (1959), Carlson’s Prize (1962, 1966), Henry Heerup’s scholarship (1994) and Anne Marie Telmanyi’s Scholarship (2003). She is represented at the Skive Art Museum and the Art Museum Brundlund Castle, and she has sold works to, among others, the Copenhagen Art Association, Århus Seminarium, the Academy of Fine Arts, The Kgl. Porcelænsfabrik, Copenhagen Municipality’s Culture Fund and De Danske Spritfabrikker. In addition, she has carried out decoration tasks for Stevns Town Hall, Stevns Ungdomsskole and Nestlé in Denmark, as well as decorated the Mælkegavlen in Nordre Frihavnsgade. She is a member of the Association of Visual Artists, the Kunstnersamfundet and Corner (1993).

WINTER LIGHT 2020

WINTER LIGHT

November 13 – December 18, 2020

The longing for light reflects the current time of year, but light also makes reference to the necessity of it in the photographic process and as a concept being explored in various ways in the work of the selected artists. Represented in this, our last show of the year, are artists whom the gallery has long-standing collaborations with as well as invited artists.

All of the works presented are in smaller formats, with a price range to match.

Stephan Schnedler’s scenographic images of small models of modernist architectural rooms and surfaces plays with light and shadow, and on their influence on our perception of scale.

Carsten Ingemann’s evocative darkened images devoid of human presence induce a strong sense of mystery with their cinematic framing of the image, darkness and dimmed, yet essential, refined sense of light.

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Jacob Gils’ city and naturescapes deal with the exploration of light and time in his chosen spaces through the use of multiple exposures, and their impact on our perception of color. Through this Gils intensifies the experience of the place and brings our attention to its unique beauty and the atmosphere.

Troels Steenholdt Heiredal’s conceptual approach to photography manifests itself through his capturing of the sky of New York by using cutouts of geometrical shapes which the light is then filtered through in-camera, resulting in an abstraction of the representational image.

SOLO SHOW: TROELS STEENHOLDT HEIREDAL – LOOKING INTO LOOKING

TROELS STEENHOLDT HEIREDAL – LOOKING INTO LOOKING

Sept 17 – Oct 31, 2020

“Our external world is reconstructed within us as we pass through it. Its impact goes beyond its ability to shape our exterior experience; it also transforms our interior spaces—our personal relation to the world around us. How this transformation occurs and what it builds in us is at the heart of my practice.” Troels Steenholdt Heiredal

Troels Steenholdt Heiredal makes sense of the world by rearranging it. Objects on his desk, lines in a poem, spaces in a photograph. Recently learning that he is on the autistic spectrum disorder [ASD], Heiredal is currently coming to terms with what this means for him both personally and artistically. Looking back at his work, what impact has ASD had on his way of experiencing and capturing the world around him?

‘Looking Into Looking’ will bring together three distinct projects from the last five years. Though individually created, each project reveals aspects of Heiredal’s view of the world around him, and shows his ability to reconstruct it on film. Aspects of each project are reflected in the other two; together this builds a larger space between them.

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Juxtaposing photographs and making multiple exposures inside the camera become a way for Heiredal to build works with his subjects—co-creating them as expressions of his inner geographies. In doing so, Heiredal finds ways to express the spaces within him.

Heiredal is often looking for traces left by people, the residue of their interactions with the environment. And while people never feature in his work, there is always a strong human presence—as if they have just left the frame and are now standing next to you, engaging you in a silent conversation about what you’re looking at.

Heiredal uses poems as a reconstruction of language—a search for voice. The poems have internal logic that follows Heiredal’s obsession with aligning shapes and building new spaces. A dialogue between the poems and the photos opens the work to new views and interpretations.

‘Looking Into Looking’ is an invitation to inhabit how Heiredal relates to the world. A plea to reject normative ways of seeing, to wrestle with complexity, and to find beauty in messy layers and reframed forms.

PAST PRESENT

PAST PRESENT

March 5 – May 9, 2020

 Based on recent works of some of our key artists, the exhibition explores timeless settings and fleeting moments, all taken in various different places and through various different approaches to the photographic medium. All works have been shown earlier at solo exhibitions of each of the artists. As the title indicates, the passage of time is essential to the curating of the works selected for Past Present, and to how these works serve to merge the past with the timeless.

Artists:
Julian Mauve
Carsten Ingemann
Jacob Gils
Stephan Schnedler