Solo Show: Learning to fly by Camila Echavarria

Solo Exhibition Camila Echavarria: Learning to fly

Oct 29th – Nov 30th, 2026

This autumn, InTheGallery Copenhagen is delighted to present the Solo Show: Learning to fly by Camila Echavarria. Join us for the opening reception on 29 oct, from 5 PM to 8 PM,

Camila Echavarría turns nature into both inspiration and raw material, crafting idyllic landscapes where precision intertwines with intuition and, through color, becomes emotion. With technical mastery and a rigorous study of proportion, the Colombian artist transforms organic forms into expressive compositions built from subtle layers, delicate nuances, and vibrant accents. The sound of the wind brushing against a tree, the sensuality of a tulip, the gentle sway of a flower in the breeze—her brush captures it all, reminding us of the beauty that surrounds us and the transformative power of contemplation.

Her practice is nourished by both an academic approach to drawing and painting and a deep fascination with the laws and patterns of nature that have inspired artists and thinkers since ancient times. Of particular importance in her work is the Fibonacci sequence—named after the Italian mathematician who introduced it to the West in the 13th century. Camila continually rediscovers this sequence, in which each number is the sum of the two preceding it, through her close observation of the natural world, organizing her strokes according to the logic of the golden ratio. Yet, while her compositions reflect careful planning, they also give way to experimentation and to a quiet narrative that, through her titles, whispers an echo of hope. This manifests in the replacement of green foliage with a monochromatic palette that moves from black to white. In contrast, the focal point—almost always a flower—bursts forth in vivid yellows, pinks, or deep reds, with textures that condense the richness of natural contrasts. In some pieces, that hidden order takes conceptual form: barcodes traced with mathematical precision, are integrated into landscapes or bouquets of tulips, revealing a secret harmony.

Together, the paintings and sculptures invite us to look closely at that vastness we so often overlook. Echavarría evokes a profound connection with the natural world through hypnotic compositions that appeal both to emotion and to our innate attraction to patterns. And although she always considers the viewer, her search is more existential than scientific, more poetic than mathematical. Above all, her work is born from an intuitive, vital gesture: painting as one feels, as one searches, as one heals.

Opening : Oct 29th,  5 pm – 8 pm
Where:  In The Gallery Copenhagen – Dronningens Tvaergade 19, 1302

Art Miami 2026

IN THE GALLERY at Art Miami 2026

December 1–6, 2026

For Art Miami 2026, IN THE GALLERY brings Copenhagen and Palma together in a single booth: the Nordic photography we have championed since 2012, alongside the international outlook of our space in Palma de Mallorca. Four artists, four ways of looking at how a place shapes the people in it, and how both are transformed by the image.

Jacob Gils takes us through cities seen in motion and layered light: Palma, Copenhagen, Brooklyn and New York, with new 2026 works including Palma #14, Palma #11 and Hollywood. They sit alongside Es Capdella #4 and the figure study LTYL III.

Lise Johansson moves from the street to the interior. In Within Frames, figures stand at windows, held between inside and outside, presence and distance. Two large-format works are on view.

Vee Speers joins the presentation with Gaia, a portrait of a figure in a crimson gown set against deep blue, where the painterly colour turns the sitter into an image.

Camila Echavarria brings Medellín to the booth. Her paintings weave barcodes and Fibonacci patterns through black-and-white landscapes, broken by sudden spots of colour, as a way of seeing a city once defined by violence and now reborn.

Request your VIP invitation by Email: in**@**********ry.com

Plan your visit
VIP Preview (by invitation), Tuesday, December 1: Platinum VIP 11 AM–1 PM, VIP 1–4 PM
Public opening, Tuesday, December 1 | 4–8 PM
December 2–5 | 11 AM–7 PM
December 6 | 11 AM–6 PM

Location: One Herald Plaza (NE 14th Street & Biscayne Bay), Miami, FL 33132

Jacob Gils: Colors of Summer | Copenhagen | IN THE GALLERY

Solo Exhibition Colors of Summer by Jacob Gils

June 18th – August 30th, 2026

This summer, InTheGallery Copenhagen is delighted to present the Solo Show: Colors of Summer, a captivating exhibition by Danish photographer Jacob Gils.

Join us for the opening reception on 18 June, from 5 PM to 8 PM, and experience a NEW collection of 9 works that celebrates light. Jacob’s first solo exhibition in Copenhagen since 2020, and the new production reflects everything that has happened in between. The exhibition brings together works from his Movement series,  built through multiple exposures that layer time and light into a single image.

For this exhibition, Jacob is also presenting a new printing process: the works are printed on Awagami Japanese paper, a handmade paper that lends the photographs a remarkable depth of texture and presence. Framed in natural wooden frames, the pieces feel closer to objects than photographs; something that really needs to be seen in person.
Since you last encountered Jacob’s work, much has happened. In 2024, he was awarded the Erarta Foundation Prize at Zonamaco in Mexico City, one of the most prestigious acquisitions prizes on the international art fair circuit. This year alone, his works has been shown at Art SG Singapore, Zonamaco, Intersect Palm Springs, Art Rotterdam, and AIPAD New York. He is currently preparing a solo exhibition at a gallery in Chicago. This Copenhagen opening is a rare opportunity to see the new production in full before the works travel.

Jacob Gils works at the intersection of time and stillness. In his Movement series, long exposures dissolve the familiar;  a pink cherry tree in Paris, his main artwork for this solo show.

 

Opening : June 18th,  5 pm – 8 pm
Where:  In The Gallery Copenhagen – Dronningens Tvaergade 19, 1302 Copenhagen

More information: www.jacobgils.com

Charles Petillon – Palma Exhibition

Charles Pétillon - Palma exhibition

May – July, 2026 – Palma de Mallorca

The exhibition of Charles Pétillon at In The Gallery in Palma de Mallorca unfolds as an immersive encounter with one of the most distinctive visual languages in contemporary photography. Centered on the Invasions series, the exhibition brings together works in which thousands of white balloons infiltrate abandoned interiors, natural landscapes, and everyday architectural spaces quietly transforming them into poetic, unsettling environments.

In Invasions, Pétillon uses the simplicity of the white balloon as a powerful conceptual device. These clustered forms at once light, fragile, and invasive interrupt the logic of the spaces they occupy. Emerging from windows, filling rooms, or expanding through forests, they create a tension between presence and absence, between the familiar and the uncanny. Each installation is meticulously staged and photographed, resulting in images that feel both documentary and dreamlike.

The series operates through metaphor. Pétillon describes these balloon intrusions as a way to alter perception an invitation to look again at what we habitually overlook. The balloons become visual manifestations of memory, accumulation, and human impact: they evoke childhood innocence in domestic settings, question technological culture in urban scenes, and echo organic or molecular structures in nature. In this sense, Invasions is less about the objects themselves than about the act of seeing how meaning is projected onto space, and how space, in turn, shapes our emotional and cultural narratives.

A key aspect of the work lies in its material contradiction. The balloons suggest softness and ephemerality, yet they are organized into dense, almost sculptural masses that appear to press against and overwhelm their surroundings. This duality between fragility and monumentality underscores a broader reflection on contemporary life: accumulation, excess, and the quiet saturation of our environments.

Presented in Palma de Mallorca, the exhibition situates these images within a Mediterranean context where light, architecture, and history are deeply intertwined. Here, Pétillon’s interventions resonate as subtle disruptions poetic “invasions” that do not destroy but rather reveal. They expose latent narratives within spaces, inviting viewers to reconsider the overlooked, the obsolete, and the emotionally charged traces embedded in everyday environments.

Ultimately, Invasions proposes a shift from passive observation to heightened awareness. Through a language that is at once minimal and expansive, Pétillon transforms the ordinary into a site of wonder, urging us to move beyond functional perception and toward a more attentive, imaginative engagement with the world around us. 

This exhibition marks the beginning of a new collaboration between Charles Pétillon and In The Gallery Palma.

 

 

 

Antechamber by Lise Johansson

Antechamber: Photographic work by Lise Johansson

May 1st – June 16th, 2026

Antechamber brings together works from Resort, Within Frames, Absence and I’m Not Here in an exhibition of staged interiors and perceptual tension.

Traditionally, an antechamber is a transitional space ; a room one passes through before reaching a more private or significant interior. A place of waiting, of anticipation, of partial access. This notion sits at the heart of Lise Johansson’s practice, in which the viewer is repeatedly positioned at the threshold of an image that withholds as much as it discloses.

Johansson approaches photography not as a medium that describes space, but as one that quietly destabilizes it. Her images exist in a state of suspension, between presence and absence, interior and exterior, the familiar and the estranged. Precise yet elusive, her compositions resist narrative resolution and open instead onto a field of psychological intensity.

Throughout the exhibition, spaces appear carefully ordered yet subtly dislocated. Architectural elements, light and perspective are orchestrated to produce a sense of hesitation, as though something has just occurred, or is on the verge of occurring. Where figures appear, they remain distant or absorbed, deepening the atmosphere of detachment rather than anchoring the image in human certainty.

Like the antechamber itself, these works offer proximity without full access. They suggest intimacy, then hold it just out of reach. The viewer is invited to look, but not to enter,  suspended in a space of anticipation where the familiar begins to shift and meaning is endlessly deferred.

Opening : May 1st,  4 pm – 7 pm
Where:  In The Gallery Copenhagen – Dronningens Tvaergade 19, 1302 Copenhagen

IN THE GALLERY
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