Charles Pétillon NEW Exhibition in Palma de Mallorca
Charles Pétillon (born 1973) is a French photographer and mixed-media installation artist whose poetic interventions transform public and natural spaces through the recurring motif of white balloons. Suspended between presence and absence, fragility and monumentality, his works—often described as invasions—introduce vast, ephemeral constellations into existing architectural and organic environments, reshaping our perception of space, scale, and light.
Pétillon’s immersive installations have gained international recognition, most notably his intervention of 100,000 balloons in London’s Covent Garden, where a familiar urban setting was reimagined as a dreamlike landscape. Another landmark project, Le Phare (The Lighthouse), permanently installed in Terminal 2E of Paris’s Charles de Gaulle Airport, features a monumental sleeping feline beneath luminous balloon-like forms. As daylight fades, the work gradually illuminates, evoking a quiet, meditative dialogue between motion, time, and stillness.
Through these fleeting yet powerful gestures, Pétillon invites viewers into suspended moments of wonder, where everyday environments become sites of introspection, enchantment, and transformation.
Perhaps the most renowned of Pétillon’s clouds is the one he installed in Covent Garden, London, in 2015. Yet this iconic work is only one among many. Over the years, the artist has conceived and documented numerous balloon installations, carefully overseeing every stage of their realization before capturing the white balloons—meticulously assembled by him and his team—in striking photographic compositions.
Read more
Across his body of work, Pétillon explores themes of memory, play, and transformation. Series such as Souvenirs de famille, Play Station, and Mutations weave together childhood recollections, the tension between digital and traditional games, and the molecular patterns of life itself. His art invites a shift from practical perception to visual wonder, creating moments of quiet reflection in both natural and constructed landscapes.
Souvenirs de famille is one of Charles Pétillon’s most intimate and evocative series, where the artist transforms personal memory into universal visual poetry. In this body of work, white balloons drift through domestic interiors and familiar family settings, subtly reimagining spaces charged with recollection and emotion. Each installation is carefully constructed, with balloons suspended and arranged by Pétillon and his team to interact with the architecture, light, and objects within the space. Photographed at the peak of its ephemeral presence, the series captures fleeting moments that evoke both nostalgia and quiet wonder.
The balloons in Souvenirs de famille function as metaphors for memory itself—fragile, weightless, and transient—illuminating the spaces where childhood, familial rituals, and domestic life unfold. By introducing these poetic intrusions, Pétillon invites viewers to reconsider the ordinary and rediscover the emotional resonance of everyday environments. The works oscillate between intimacy and universality, offering a meditation on memory, time, and the invisible threads that connect us to our past.
Through this series, Pétillon demonstrates the subtle power of his artistic vision: transforming familiar settings into landscapes of reflection, where the delicate interplay of light, air, and form conjures a sense of suspended emotion and enduring beauty.
Through his ethereal interventions, Charles Pétillon transforms air, light, and space into instruments of imagination, offering viewers the rare experience of seeing the ordinary anew.
Check out CHARLES PETILLON exhibition at In The Gallery here
“These balloon invasions,” explains the artist, “are metaphors. They seek to shift our perspective on the environments we inhabit daily, often without paying them attention. What I hope to awaken is the viewer’s gaze, allowing a transition from functional perception to visual emotion.” It is in this spirit that Souvenirs de famille evokes childhood memories, Play Station explores play and the tension between contemporary video games and traditional street games, and Mutationsalludes to the molecular structure of DNA.
In The Gallery is delighted to announce a new collaboration with CHARLES PETILLON and is currently preparing his exhibition in Palma de Mallorca
