NICK BRANDT

NICK BRANDT

 

Nick Brandt photographs the vanishing natural world of East Africa. Brandt´s goal and passion is to create a last testament to the wild animals and places on the brink of extinction.

His photographs stand out as a combination of exquisite panoramas of animals within dramatic landscapes and graphic portraits more akin to studio portraiture of human subjects from the early 20th Century. Many of Brandt´s photographs convey a rare sense of intimacy, as if he knew the animals and invited them to sit for him in front of the camera.

Nick Brandt was born in 1966, London, UK and holds a degree form Central Saint Martins College of Art and Design. He has had multiple solo shows around the Globe, including in New York, London, Sydney, Brussels and Paris.

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JULIEN MAUVE

JULIEN MAUVE

In The Gallery is proud to present the solo show When Lights Out with a selection of poetically captivating and narrative based photographs by the French artist Julien Mauve.

Julien Mauve (Fr.) lives and works in France, Paris. Last year he was presented with the award Jeune Talents at the Paris Photo art fair. Mauve has had exhibitions at Le Salon de la Photo, stand SONY, Paris, MAP festival, Toulouse, Espace Beaurepaire, Paris.

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JACOB GILS

JACOB GILS

Whether turning his eye to iconic structures and landscape sceneries or to the female body, Jacob Gils creates fragmented, draped and deconstructed visual puzzles, with a strong attention to both aesthetic expression and technical detail.

The project Movement gives visible shape to the relationship between the concrete physical movement, taking place in the production phase and the established environment chosen as content. Through the use of multiple exposures Gils generates engaging interpretations of iconic structures and landscape sceneries.

At first glance these multi-point images appear out of focus or shaken, but in fact they consist of many different very sharp photographs of the same motifs, which are carefully combined to offer an illusion of being on the go – in movement. The technique invites the onlooker to come closer and discover the details, which do not fully reveal themselves from a distance. The hazy, translucent shapes created by the technique make for a photographic style that resembles impressionistic painting while still retaining all the detail of modern photography.

Transfer is a further development of the sophisticated multi-exposures of the Movement series, which is already known for its spacious and picturesque qualities. In this new extension of the series, the works undergo another transformation. As polaroids they are further transferred onto watercolour paper.

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Through this technique a particularly atmospheric and dreamy mood arises, which lends a certain abstract expressionistic layer to the images. Upon closer inspection, however, the eye begins to decode that in these works there are real places depicted, all with their special characteristics. In this way, the viewer is left in a state of both presence and the chance to disappear deep into the works. Transfer opens up the idea of landscape photography as a form of portal to a deeper emotional scenery.

In the series Limit To Your LoveGils presents images that offer a subtle contrasting vision of the depiction of the iconic and timeless subject matter of the beautiful female. The distinct visual quality and aesthetics of the images result from a unique artistic technique, which involves the transfer of multiple Polaroid images onto watercolour paper. The paper’s textured surface makes it difficult to completely control the process thus adding an element of chance to the final image. The random distortions seen as white areas on the surfaces ensure that the field of one image is never identical to that of its neighbour.

The tactile, disrupted surface of the works creates a distance to the motif, shifting focus from the specific woman depicted to the woman as multifaceted idea, making these works come across as emotive statements with natural imperfections.

Jacob Gils lives and works in Denmark. He graduated from The Copenhagen School of Photography in 1990 and his art has gained recognition in the form of prizes at the PRIX DE LA PHOTOGRAPHIE PARIS (PX3) in 2012 and 2015. He has exhibited in solo and group shows across the globe and his works are represented in the Danish Royal Collection, Nanjing Art Museum, China and at Maersk in Denmark as well as in private collections all over Europe, and in USA, Canada, Hong Kong, Singapore, China and Australia.

More info on the artist: www.jacobgils.com

Some articles about Jacob Gils

https://wsimag.com/art/27789-movement
http://www.galeriebettina.com/articles/jacob-gils-le-revenu.pdf

LISE JOHANSSON

LISE JOHANSSON

The artistic practice of Lise Johansson unfolds somewhere between the conscious and unconscious mind – it exists both in the realms of reality and fantasy.

Johansson investigates notions of authenticity and challenges the classical order and structures with which photos are usually constructed. In her studio she edits and merges different photographic elements into final compositions depicting worlds of dreams and emotions, association and longing. These sceneries hold atmospheres as light and breezy as Hockney’s pastel paintings or as gloomy as Tarkovsky’s filmic universe. They make us question not only how we perceive each other and the world, which surrounds us, but also how we connect with the self, the mind and its various inherent potentials.

In all of Johansson’s work themes of identity and belonging come up, take for example the series Hearth, where photos of doll-like humans are superimposed into environments consisting of architecture models, planning future homes to come. This is not an illustration generated to make potential buyers relate better, this is a slightly unsettling juxtaposition, confusing us with its scale and perspective and thereby making us wonder about the unknown parts of the images. The mood is set, and like in the 50’s television anthology The Twilight Zone, we don’t quite know what eerie twists and turns are waiting for us around the corner.

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Johansson allows us to imagine, and in the end leaves the final interpretation open to the viewer’s own composition.

Lise Johansson (b. 1985) is from Sæby, Denmark, and currently lives and works in Copenhagen, Denmark. She is educated from The Media College Denmark in 2016, and has travelled the world extensively as part of her photographic practice. Johansson has won several prizes, including the Sony World Photography Awards.

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DAVID DREBIN

DAVID DREBIN

 

David Drebin´s epic photographic works animate the senses and the phantasies. Collected around the world, they combine voyeuristic and psychological viewpoints and offers the viewer a dramatic insight into emotions and experiences that many of us have doubtlessly felt at some point of our lives.

In a unique and opulent way, Drebin also stages femme fatales against the gigantic backdrops of cities such as Hong Kong, New York, and Paris.

 

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The panorama of the big cities, which, due to their format, are a tribute to cinema, serve as cinematic settings. With their impressive skyscrapers, they provide the viewer with a nearly infinite surface for the imagination.

David Drebin was born in 1970, Toronto, Canada, lives and works in Manhattan, New York. After successfully completing the Parsons School of Design in New York City in 1996, he rapidly made a name for himself as internationally successful commercial and fashion photographer.Drebin´s intention is to liberate the viewer from the system of rules of everyday life and restore his faith, emotion, and humanity. The distinctive tension and depth in his pictures arise from the free combination of such differing topics as humor and sex, melancholy and sex, and melancholy and humor.